THE SOUND OF MUSIC

WED NOV 29 - SUN DEC 17

Set against the backdrop of Austria on the brink of World War II, The Sound of Music follows the adventures of a problem named Maria, new governess for the von Trapp family, who turns everyone’s world (including her own) upside down, underscored by some of the most unforgettable songs ever composed for the stage – “My Favorite Things,” “Edelweiss,” “Do-Re-Mi,” “The Lonely Goatherd,” “Climb Every Mountain,” and more! Whether you’re an avid fan or experiencing the show live on stage for the very first time, this unique theatrical event will enchant and delight you and your loved ones this holiday season. 

Location The Music Hall
28 Chestnut St, Portsmouth, NH

ASL Interpreted Performance:
Friday, December 15 at 7:00p
Special seating available online or by phone

Run Time: 2 hours 40 min with intermission

Masking is welcome but optional

Content Advisory: This production contains potentially unsettling references to the rise of the Third Reich in 1938. This iconography is used purely in historical context by the authors as the show was originally written and produced.

AUDIENCE RESPONSE

“Wow! What a wonderful show!! The singing was outstanding! Going back again!” Patricia Thomas

“Loved the show! Literally had tears in my eyes.” — Renee Cerasulol-West

“The children were a joy to watch! I could see this performance again and again!” — Nicole Moriarty

“Brilliant performances by the entire cast. It’s a must-see!!!” — Mitch Rosengarten

“The talent in this show is off the charts!!” — Sarah Zalud Thomas

“OMG, that set!!!” — Cindy Sauerwein

REVIEWS

"The children are one of the real strengths of this show, as they harmonize beautifully while providing most of the comic moments." — Theater Mirror

CAST

  • Emilie is pleased to make her Ogunquit Playhouse debut. Broadway: The Phantom of the Opera (Christine). Off-Broadway: Unknown Soldier (Playwrights Horizons), Austen’s Pride (Jane Bennet, Carnegie Hall). Regional: Ragtime (Sarah, Broadway Sacramento), Oklahoma (Laurey, Broadway Sacramento). TV: Only Murders in the Building (Hulu), Guilded Age (HBO). Thank you to CGF Talent, Cory Wang at Authentic Management, my friends, and my wonderful family.

  • Bob is thrilled to be making his Ogunquit Playhouse debut! Broadway: Tina: The Tina Turner Musical, Tuck Everlasting (Miles Tuck), South Pacific. Off-Broadway: Dogfight (Second Stage Theater), Hello Again (Transport Group). Regional: Cyrano de Bergerac (Guthrie Theater), Soul (Baltimore Center Stage), Assassins (Yale Repertory Theatre), A Sign of the Times (Goodspeed), Road Show (Chicago Shakes), Into the Woods (Westport Country Playhouse). Film: Park Avenue with Fiona Shaw (upcoming), The Last Airbender, Sex and the City 2, The Happening, The Village. TV: Monsterland (Hulu); Orange is the New Black, Unbreakable Kimmy Schmidt (Netflix); The Good Fight (Paramount+); Blue Bloods (CBS); Deception, One Life to Live (ABC); Live From Lincoln Center (PBS). BFA in Acting from Carnegie Mellon University. You may also have seen Robert play the role of Captain Von Trapp as a sophomore at Pennsbury High School. He looks exactly the same, he swears!

  • Allison is pleased to make her Ogunquit Playhouse debut. Broadway: The Gershwin’s Porgy and Bess; A Night With Janis Joplin; The Lion King; Pretty Woman: The Musical; New York, New York. Regional: Ain’t Misbehavin’ (Armelia, Barrington Stage Company); Caroline, or Change (Dotty/Washing Machine, TheatreWorks); Les Misérables (Fantine, Dallas Theatre Center); And the World Goes ‘Round (Woman #1, Marriott Theatre); Nunsense (Sister Mary Hubert, Sacramento Music Circus). Between her guest artist concert work and her solo show entitled “First You Dream,” Ms. Blackwell has performed all over the country with such orchestras as The Boston Pops, The Philly Pops, Atlanta Symphony, Houston Symphony, and The New York Pops. Spelman College BA, Boston Conservatory M.M. allisonblackwell.com

  • Barrett is best known to audiences as tech geek Eric Beale on 12 seasons of NCIS: LOS ANGELES (CBS). He will next be seen as the First Gentleman of the United States in Shondaland’s screwball White House whodunit, THE RESIDENCE (Netflix). Broadway: Avenue Q, Spelling Bee, Mamma Mia (OBC). Off-Broadway: Buyer & Cellar (Barrow St), The Drunke City (Playwrights Horizons), Godspell (York Theatre). Regional: Angels in America (Prior, Repertory Theatre of St. Louis, Theatre Circle nom), Sweet Charity (Oscar, Reprise 2.0, LA Ovation Award nom). TV: Will & Grace (NBC), Entourage (HBO), The Closer (TNT), Numb3rs (CBS). Barrett proudly serves as Vice President of the Board at Every Day Action, which rescues uneaten catered food from TV/Film sets and grocery stores, donating it directly to unhoused communities all over Los Angeles.

  • Spencer is thrilled to be making his Ogunquit Playhouse debut. Broadway: Harry Potter and the Cursed Child (James Potter Jr & Sr/Cedric Diggory: u/s Scorpius Malfoy). Regional: Newsies (Romeo), Oklahoma! (Ensemble, Broadway at Music Circus); Disaster! (Ensemble, Connecticut Repertory Theatre). University: Sweeney Todd (Tobias Ragg), The Drowsy Chaperone (Ensemble, UofM). Training: BFA Musical Theatre, The University of Michigan. Thank you to Kaitlin and all of DGRW, all the love in the world to his Parents and Griffin, it means the world. @spenlarue

  • Kate is very pleased to return to The Music Hall after spending this Summer at The Playhouse as Lina Lamont in Singin’ In the Rain. OP: Murder on the Orient Express (Countess Andreyni, BroadwayWorld Award Best Actress in a Play), White Christmas (Betty Haynes, 2015 & 2017). Broadway: First Date (Allison, OBC), Hairspray (Amber), Xanadu, Wonderland, Drowsy Chaperone. Tours: Wicked (Glinda, Nessa u/s), Little House on the Prairie (Nellie Oleson, 1st Nat’l). Recent: Beautiful: The Carole King Musical (Cynthia Weil, Casa Mañana & NC Theatre), She Loves Me (Ilona, The Link Theatre), Come Fall In Love (Minky, The Old Globe). TV: Boardwalk Empire (Corrine, HBO), I Love You...But I Lied (Courtney, LMN), Running Wilde (FX), All My Children (ABC). She is the creator and host of Living Small NYC, currently streaming on BroadwayHD. Great thanks to the entire OP family. For Juliette: one of Auntie’s “favorite things.” KateLoprest.com KateLoprestActingCoach.com

  • Elizabeth is pleased to make her Ogunquit Playhouse debut. Broadway: Beetlejuice (Lydia), The Crucible with Saoirse Ronan (Betty), The Audience with Helen Mirren (Young Elizabeth), Mary Poppins (Jane Banks). Off-Broadway: The Secret Life of Bees (Lily Audelco nomination). Recent Regional: The Sound of Music (Liesl, The Muny); The Glass Menagerie (Laura, TWSTL, St. Louis Theater Circle Award). Other Regional credits include: The Muny, The Rep STL, Tennessee Williams Festival, Variety Theater. TV/Film: Leaving (SAG short), guest on The Last O.G. (TBS). Special thanks to Katie Britton at Buchwald. @elizabethteeterofficial

  • Jade is pleased to return to Ogunquit Playhouse in this production of The Sound of Music. OP: Mr. Holland’s Opus (Choir). Other Credits: Godspell (Bless the lord soloist), RWS Global (Character Performer). Jade extends her love and gratitude to her parents, for always letting her follow her dreams.

  • Tommy is thrilled to be making his Ogunquit debut. Tour: Hairspray, The Sound of Music. Regional: The Sound of Music, A Christmas Carol (North Shore Music Theatre); Newsies (Engeman); Footloose (Fulton); My Fair Lady, Mary Poppins (Forestburgh Playhouse). Huge thank you to Anthony for giving me a chance to spend a bit more time in “the hills.” As always, thanks to my family for their undying love and support. @tommyfbetz

  • Alex is pleased to make his Ogunquit Playhouse debut. Previous Roles: Pippin (Theo), Fun Home (Christian), A Christmas Carol (Tiny Tim), Bye Bye Birdie (Randolph), and The Sound of Music (Kurt). So grateful for the guidance from Anthony, Ogunquit Playhouse, and the support of family and friends.

  • Ella is pleased to make her Ogunquit Playhouse debut. Previous Credits: The Best Christmas Pageant Ever (Beth, Belfast Maskers), Matilda Jr. (Matilda, Cayman Music School). Ella would like to thank her family and teachers for their support, as she pursues her acting dreams.

  • Carlyn is pleased to be making her Ogunquit Playhouse debut. Regional: Cabaret (Fräulein Kost: u/s Sally Bowles, Alabama Shakespeare), Company (Sarah: u/s Joanne, Arts Center of Coastal Carolina), The Great Gatsby (Jordan Baker, Ivoryton Playhouse), Fun Home (Helen Bechdel, Mill Mountain Theatre), Hello Dolly! (Irene Malloy, Virginia Musical Theatre), An American in Paris (Milo Davenport, Arts Center of Coastal Carolina). Carlyn has performed as a soloist with orchestras in the US, Canada, and Asia, and is the co-founder of Marquee Digital. Endless thanks to Anthony and Ogunquit Playhouse for this long-awaited opportunity. Love always to Mom, Dad, Devin, and Melissa. carlynconnolly.com

  • Nathaniel is pleased to make his Ogunquit Playhouse debut. Credits: Elf The Musical (Charlie), A Ghost Tale for Mr. Dickens (Tiny Tim, Twin City Theater). Nathaniel is 10, almost, and in fourth grade. He thanks his family and gives a special shout-out to Ann Guiney, his vocal coach, for always believing in him!

  • Clara is pleased to make her professional debut at Ogunquit Playhouse. Previous Credits: The Little Mermaid Jr, Drowsy Chaperone Jr (Pine Street Players). Clara studies voice, tap, ballet, jazz, and hip-hop. Clara is a seven-year-old from Brentwood, NH. Love to her dogs, big brothers, and BFFs!

  • Chloe is pleased to make her Ogunquit Playhouse debut. Credits: Factory Girls (Martha, UNH); Newsies (Katherine), Something Rotten (Bea, Ovation Theater Co). Chloe is currently a junior at University of New Hampshire studying Musical Theatre and Secondary Theatre Education. Special thanks to AS, RF, AJ.

  • Alyssa is excited to make her Ogunquit Playhouse debut. Nat’l Tour: Love Never Dies (u/s Christine Daaé, Swing). Off-Broadway: Finding Madame Curie (Marie/Irene Standby, Theatre Row). Regional: Into The Woods (Rapunzel, PCLO), My Way: A Musical Tribute To Frank Sinatra (Woman 2, Theatre By The Sea), SIX (Rehearsal Swing, Norwegian Cruise Line), Mary Poppins (Ensemble, The Muny), Unmasked (Woman 1, Paper Mill Playhouse), Far From Canterbury (Princess/Candita, Barnstormers Theatre), A Gentleman’s Guide To Love & Murder (Pheobe D’ysquith, Davis Shakespeare Festival). Northwestern University graduate. Endlessly grateful for those who lift me up. @agiannetti22

  • Jack is delighted to return to the stage of The Music Hall this holiday season with Ogunquit Playhouse after his debut performance in last season’s production of Elf The Musical. Jack is grateful to his family and friends for their ongoing love and support and thankful to be a member of this stellar cast!

  • Originally from Australia. Broadway: Mary Poppins, Scandalous, [title of show]. Nat’l Tours: Mary Poppins, Shrek, Charlie and the Chocolate Factory. Off-Broadway: A Man Of No Importance, The View Upstairs, [title of show], Girl Crazy, The Charity that Began at Home. Regional: The Shape She Makes (A.R.T.), Old Globe, Goodspeed, MiIwaukee Rep, Asolo Repertory. Film/TV: Full Circle (MAX), The Blacklist (NBC), Gossip Girl (The CW), The Deuce (HBO), Law & Order: Criminal Intent (NBC), Deadly Women (ID), Flight of the Conchords (HBO), and a small but glamorous recurring role in One Life To Live (ABC) as a Shakespearean reciting drag queen, Alma Children. Artist Champion for HB Studio. @benjthestar

  • Sophia is pleased to make her Ogunquit Playhouse debut. Regional: Sweeney Todd (Johanna), Fiddler on The Roof (Hodel, Casa Mañana). University: Legally Blonde (Elle Woods, University of Oklahoma) TV: Law & Order (NBC). Sophia would like to thank her family, friends, and partner for all of their support, as well as her amazing agents at DGRW. @sophiakaiafas

  • Mary is pleased to return to Ogunquit Playhouse. OP:

    Ragtime (Kathleen/Ensemble). Off-Broadway: Single Rider (Moira, The Players Theater), Carrie (Carrie, Theater Now New York). Regional: A Gentleman’s Guide… (Phoebe D’ysquith, The Public Theater of San Antonio), A Thousand Faces (Hazel Chaney, The Encore Musical Theater), The Great American Trailer Park Musical (Pickles, Millbrook Playhouse), Nunsense (Sister Amnesia, Greenbrier Valley Theater). Mary also teaches a virtual Scene Study class and tutors children’s chess online! Thank you to my husband, Frank, for being excited for me to pursue my dreams even though it meant leaving two weeks after our wedding!

  • Josie is pleased to return to Ogunquit Playhouse. OP: Elf The Musical (Ensemble); Into the Woods Jr (Jack). When she grows up, her dream is to play Mother Abbess. Thanks to Jaye for helping find her voice and Joyce/Ray for empowering theatre kids to shine.

  • Jack is pleased to be returning to Ogunquit Playhouse with one of his favorite stories. OP: Both productions of Beautiful (Neil Sedaka/Lou Adler/High Righteous). Broadway/NYC: A Christmas Story (Scut Farkus, OBC), Radio City Christmas Spectacular (Patrick), Becomes a Woman (Mint Theatre Company, 2023 OCC Nomination for Best Play), The Butcher Boy (Irish Repertory). Select Regional: Coachella Valley Rep, Tuacahn Center for the Arts, Short North Stage, Capital Rep. University of Michigan, BFA Musical Theatre. Many thanks to Mara Entertainment, Anthony Daniel, Nicole Zelka, and Chandler Reeves. Love to Mom, Dad, and Matt. @jackmastrianni

  • Cassie is pleased to make her Ogunquit Playhouse debut. Off-Broadway: Stranger Sings! The Parody Musical (Eleven/Nancy, Playhouse 46). Regional: Cabaret (Rosie, Alabama Shakespeare); The Addams Family (Morticia), Brigadoon, Legally Blonde (Serena), Cinderella (Gabrielle, Wagon Wheel Center for the Arts); Legally Blonde (Arts Center of Coastal Carolina), Xanadu (Kira/Clio, CCM). Film: Booked (Director, Producer, Co-Writer). BFA: CCM. Many thanks to Ogunquit Playhouse, Anthony, ARC, ATB, and her nearest & dearest.Grateful is an understatement. @cassiemaurer_

  • is pleased to make her Ogunquit Playhouse debut. Tours: The Sound of Music (Sister Berthe, Global Tour). Regional: Master Class (Sharon Graham, The Human Race Theatre), Sweeney Todd (Ensemble, The Human Race Theatre), The Full Monty (Swing, The Human Race Theatre), Les Misérables (Ensemble, The Encore Theatre Company), Into the Woods (Florinda, The Encore Theater Company). Faculty: Musical Theater Voice, Boston Conservatory. MFA: Musical Theater, Vocal Pedagogy (Boston Conservatory). BFA: Musical Theater (Wright State University). Thank you for coming to support live theater!

  • Isabella is pleased to return to Ogunquit Playhouse. OP: Elf The Musical and The SpongeBob Musical (Arts Academy). Isabella plans to pursue acting as a career. She enjoys singing, dancing, and skiing.

  • Casey is pleased to make his Ogunquit Playhouse debut. Regional: The Producers (Leo), The Full Monty (Malcolm), Lend Me a Tenor (Max), A Tuna Christmas (Arles track), Beauty and the Beast (Lumiere, Springer Opera House); Under The Boardwalk (Glen), Rip Van Winkle (Cockles, Wilner Theatre). Tours: Noises Off! (Garry/Roger, Princess Tours), The Music of Denali (Harry, Hyperion Productions), Route 66 (Tenor 2). TV: Fargo (FX). All the love in the world to Brie, and some baby carrots for Reggie and Little.

  • Emily is so excited and grateful to make her Ogunquit Playhouse debut! Regional: The Sound of Music (Ensemble: u/s Sister Margaretta, Paper Mill Playhouse); Spelling Bee (Olive Ostrovsky, Priscilla Beach Theatre); The Prom (Alyssa Greene), Masquerade: The Music of Andrew Lloyd Webber (Woman 3), Side Show (Fortune Teller: u/s Daisy, White Plains Performing Arts Center); A Christmas Carol (North Shore Music Theatre). BFA, CCM. Huge thanks to Brian at HKA, her incredible teachers, and endless love to all her friends and family! @emilyannroyer

  • is thrilled to make his Ogunquit Playhouse debut! Nat'l Tour: Beautiful The Carole King Musical. Regional: The Unsinkable Molly Brown, My Fair Lady (The Muny); Sweeney Todd, Into the Woods, La Cage Aux Folles, Sunday in the Park with George, Company, & more (Signature Theatre); The Pajama Game, Carousel (Arena Stage); Lost in the Stars (Washington National Opera); The Laramie Project (Ford’s Theatre); Hair, Cabaret, Spring Awakening (The Keegan Theatre). TV: The Equalizer, FBI (CBS). All my love to Casey and my family. @paulrscanlan

  • Molly is pleased to be making her Ogunquit Playhouse debut. Professional: Robin Hood (Maine State Music Theatre), Make Way For Ducklings (Maddy’s Theatre). Ogunquit Playhouse Arts Academy: SOM Audition Workshop (Teaching Artist). Educational: Into the Woods, Urinetown (University of Southern Maine). Thank you, Mom, Dad, and Kerri for your endless love and support.

  • Gabriyel is pleased to make her Ogunquit Playhouse debut. Nat’l and Int’l Tours: Hairspray (Lorraine). Regional: Rock of Ages (Justice/Mom, Warsaw Federal Incline Theatre). Gabriyel would like to thank her amazing team at Firestarter Entertainment, as well as her friends and family for believing in her dreams and supporting her every step of the way! @gabriyel.thomas

  • Scarlett is pleased to return to Ogunquit Playhouse. OP: Singin’ in the Rain, Elf The Musical. Recent Ogunquit Playhouse Arts Academy: The SpongeBob Musical (SpongeBob) and Finding Nemo Jr. (Dory). Many thanks to her family, mentors, and God. @scarlett_with_2ts

  • Stephen is thrilled to be making his Ogunquit Playhouse debut here at The Music Hall. With a mission to make the world more accepting, he will donate to EqualityMaine this holiday season and invites you to do the same. For more information on their mission and services, visit their website at equitymaine.org. Favorite Regional: Into The Woods (Baker), Grumpy Old Men (Jacob Goldman), Ragtime (Tateh), Beauty & The Beast (Lumiere), The Producers (Leo Bloom), Matilda (Trunchbull). New Works: Sophie’s Light (Julius), One More Time with Malice (Freddie), Scribble Itch (Eugene). Film: Trip to the Moon (John Wilkes Booth). Special thanks to Joe and my team of supporters. @thee_sjt

  • Christina is pleased to be back at Ogunquit Playhouse. OP: Grumpy Old Men (Unis). Int’l/Nat’l Tour: The Sound of Music (Swing). Regional: Westchester Broadway, White Plains Performing Arts Center. Christina currently runs operations for Absolutely Not Productions, started by comedian Heather McMahan. The company produced Heather’s first stand-up comedy special, Son I Never Had, now on Netflix. Ole Miss alum. Thanks to all the friends and family that have now seen Tina in TSOM many, many times.

  • Charlotte is thrilled to make her Ogunquit Playhouse debut. She is a dancer, actor, and singer. Portsmouth School: The Nutcracker (Clara). Awards: National Dance Title. With her sister, Charlotte was a presenter and creator on LivBits.

  • Rhys is pleased to make Ogunquit debut! Nat’l Tour: A Bronx Tale. Regional: Titanic (Fred Barrett, Fireside Theatre); Jersey Boys (Nick Massi, Mill Mountain); Beautiful (The REV); West Side Story (Tony, Tibbits Opera House); Million Dollar Quartet, Almost Heaven (Infinity Theatre); Sound of Music (Alabama Shakespeare); Mame (Greater Boston Stage). Many thanks to Anthony, Soto, and Brian for the opportunity; Katie and Violet at PMA; and his family for their continued support.

CREATIVE

  • Howard was an actor, stage manager, director, and playwright before teaming up with Russel Crouse. Lindsay and Crouse's partnership stands as the longest collaboration of any writers in theatrical history, lasting for more than 28 years. The two men first joined forces in 1934, when the producer Vinton Freedley brought them together to rewrite the libretto for Anything Goes, which Lindsay directed. Two years later, they wrote another Cole Porter show, Red, Hot and Blue. Their first straight play, Life with Father, opened in 1936 and holds the record for the longest-running play on Broadway at 3,224 performances. Lindsay and his wife, Dorothy Stickney, created the roles of Clarence and Vinnie Day, performing them for five years. Among other shows, Lindsay and Crouse also wrote The Sound of Music (score by Rodgers and Hammerstein), the Pulitzer Prize-winning State of the Union, Call Me Madam, and Mr. President (scores by Irving Berlin), The Prescott Proposals, and The Great Sebastians. They produced The Hasty Heart, Detective Story, and Arsenic and Old Lace.

  • Russel was a newspaperman, a press agent for the Theatre Guild, author of several books, and a librettist before partnering with Howard Lindsay. Lindsay and Crouse's partnership stands today as the longest collaboration in theatrical history, lasting for more than 28 years. The two men first joined forces in 1934, when the producer Vinton Freedley brought them together to rewrite the libretto for Anything Goes, which Lindsay directed. Two years later, they wrote another Cole Porter show, Red, Hot and Blue. Their first straight play, Life with Father, opened in 1936 and holds the record for the longest-running play on Broadway at 3,224 performances. Among other shows, Lindsay and Crouse also wrote The Sound of Music (score by Rodgers & Hammerstein); the Pulitzer Prize-winning State of the Union; Call Me Madam, Mr. President (scores by Irving Berlin); The Prescott Proposals; and The Great Sebastians. Together they produced The Hasty Heart, Detective Story, and Arsenic and Old Lace. In addition to his work with Lindsay, Russel has produced, in collaboration with his wife, Anna Erskine Crouse, their son writer Timothy Crouse, and their daughter, actress Lindsay Crouse.

  • Richard’s contribution to the musical theatre of his day was extraordinary, and his influence on today and tomorrow is legendary. With a career spanning more than six decades, his hits ranged from Hollywood and Broadway to London and beyond. Richard received countless awards, including Pulitzers, Tonys, Oscars, Grammys, and Emmys. He wrote more than 900 published songs and 40 Broadway musicals.

    Richard and Lorenz Hart wrote their first shows together when both were still students attending Columbia University. Their breakthrough came with the score for the 1925 charity show, The Garrick Gaieties, which introduced the classic valentine to their hometown, "Manhattan."

    Over the next five years, they wrote 15 musical comedies for Broadway and London's West End before relocating to Hollywood in 1930, where they contributed songs and wrote the scores for several movie musicals, most notably Love Me Tonight, starring Maurice Chevalier.

    In 1935, they returned to New York to write the score for Billy Rose's circus musical Jumbo, launching a golden era that included On Your Toes, Babes In Arms, I'd Rather Be Right, I Married An Angel, The Boys From Syracuse, Too Many Girls, Higher And Higher, Pal Joey, and By Jupiter. In 1943, the partnership disbanded temporarily when Rodgers collaborated with Oscar Hammerstein II on Oklahoma!, but resumed with a revision of their 1927 hit A Connecticut Yankee, which opened less than a week before Hart's death.

    For the next two decades, Richard collaborated exclusively with Oscar Hammerstein II on such musicals as Carousel, Allegro, South Pacific, The King And I, Pipe Dream, and The Sound of Music. Collectively, their musicals have garnered dozens of awards, including Pulitzer Prizes, Tonys, Oscars, Emmys, Grammys, and Drama Desk, Drama Critics’ Circle, Outer Critics’ Circle, Laurence Olivier, and Evening Standard Awards.

    The Richard Rodgers Theatre on Broadway was renamed in his honor, and Rodgers and Hart were each commemorated on a US postage stamp.

  • Oscar was born on July 12, 1895 in New York City. His father, William, was a theater manager and for many years director of Hammerstein's Victoria, the most popular Vaudeville theater of its day. His uncle, Arthur Hammerstein, was a successful Broadway producer, and his grandfather, Oscar Hammerstein, was a famous opera impresario.

    Hammerstein started writing lyrics for the Columbia University Varsity shows while studying law. His earliest works included musical comedies written with a Columbia undergraduate seven years his junior named Richard Rodgers. Withdrawing from Columbia Law School after his second year to pursue a career in theatre, Hammerstein took a job with his uncle as an assistant stage manager.

    In 1919, Hammerstein's first play, The Light, was produced by his Uncle Arthur; it lasted four performances. Undaunted, he continued to write both lyrics and librettos, principally with Otto Harbach as his collaborating author. His first success, with Harbach, Vincent Youmans, and Herbert Stothart, was Wildflower in 1923. Hammerstein found his niche with some of the greatest composers of his day, breathing new life into the moribund art form of operetta with such classics as Rose-Marie (music by Rudolf Friml), The Desert Song (Sigmund Romberg), The New Moon (Romberg), and Song of the Flame (George Gershwin). With Jerome Kern, Hammerstein wrote eight musicals, including Sweet Adeline, Music in the Air, and their masterwork, Show Boat.

    During the years Hammerstein was redefining the terms of operetta, Richard Rodgers and Lorenz Hart were challenging the accepted norms of musical comedy with shows that set new standards for wit, sophistication, and innovation. The Rodgers & Hammerstein partnership began with Oklahoma! (1943). Like Hammerstein's Show Boat and Rodgers & Hart's Pal Joey, the first Rodgers & Hammerstein musical was a groundbreaking milestone, blending musical comedy and operetta into a whole new genre – the musical play. Oklahoma! was also the start of the most successful partnership in Broadway history and was followed by Carousel, Allegro, South Pacific, The King & I, Me And Juliet, Pipe Dream, Flower Drum Song, and The Sound of Music. Rodgers & Hammerstein wrote one musical specifically for the big screen – State Fair – and one for television – Cinderella. Collectively, their musicals have garnered dozens of awards: Pulitzer Prizes; Tonys, Oscars, Emmys, and Grammys; Drama Desk, Drama Critics’ Circle, Outer Critics’ Circle, Laurence Olivier, Evening Standard Awards. He received many personal honors and awards including five honorary degrees, two Pulitzer Prizes, two Academy Awards, and five Tony Awards.

    The ultimate tribute came when Oscar Hammerstein II had three musicals playing on Broadway simultaneously: Show Boat (1995 Tony Award winner, Best Musical Revival); The King & I (1996 Tony Award winner, Best Musical Revival); and State Fair (1996 Tony Award nominee for Best Score).

  • Anthony couldn’t be more thrilled to return to The Music Hall with his directorial debut for Ogunquit Playhouse. Regional credits: Kinky Boots, Sister Act, Mary Poppins, Million Dollar Quartet, The Little Mermaid, Murder For Two, The Marvelous Wonderettes. Nat’l/Int’l Tours (Assoc Director): The Sound of Music, Charlie and the Chocolate Factory, Cheers! Live on Stage, and Grumpy Old Men: The Musical (American premiere). As an Educator, Anthony has served on the faculty at several collegiate institutions across the country and the Broadway Dreams Foundation. anthonycdaniel.com

  • Recent Credits: Tootsie (Ogunquit Playhouse); Rent (Broadway at Music Circus); Sweet Charity (Maltz Jupiter Theater); On Your Feet, Some Enchanted Evening (Paper Mill Playhouse). Nat’l Tours: Tootsie, Escape to Margaritaville. Off-Broadway: Curvy Widow (premiere). Regional: Man of La Mancha (Westport Country Playhouse); Disney’s Newsies, West Side Story (Maltz Jupiter Theatre); Will Rogers Follies (Merry-Go-Round Playhouse), Cutman: A Boxing Musical (Goodspeed). As a composer, Andrew has provided music and lyrics for the original musicals 50 Shades of F****d Up and Committed, as well as scores for the audiobook The Influential Voice and the short films Cuba 1961: A Love Story, Release, and the independent feature film Bx3M. Proud graduate of Stetson University, FL. Endless love and gratitude to his wonderful husband, Bart. @andrewdavidsotomayor

  • At Ogunquit Playhouse since 1987, Rich designed this season's Beautiful, Singin' In the Rain, The Da Vinci Code, and Tootsie. Last season he designed The Cher Show and Beautiful. Other recent designs include Elf The Musical and Million Dollar Quartet at The Music Hall, and A Chorus Line at Pennsylvania Shakespeare Festival. Rich has a long and varied career lighting theatre, dance, opera, and corporate events.

  • Robin is pleased to make her Ogunquit Playhouse debut. Broadway/NYC: Roundabout, Irish Repertory Theatre, York Theatre, Cherry Lane Theatre, Little Shubert Theatre, American Globe Theatre. Regional: The MUNY, Goodspeed, Musical Theatre West, Maltz Jupiter Theater, SeaWorld Orlando, Gulfshore Playhouse, Fulton Theatre, Palm Beach Dramaworks, Arizona Broadway Theatre, John Engeman Theater, Nashville Children's Theatre, and clown costumes for Ringling Bros. and Barnum & Bailey Circus. Proud Union Member of USA 829. Robin hopes to continue her design career and travel extensively to complete her goal of visiting all 50 states and all seven continents! rlmcgeedesign.com

  • Justin is pleased to return to Ogunquit Playhouse. OP: Million Dollar Quartet. Broadway: Lempicka (Designer), Moulin Rouge! (Associate, Sound Design Tony); Beetlejuice, Frozen, Once on this Island, Anastasia, Something Rotten, Side Show, It’s Only a Play (Associate). Off-Broadway: The View Upstairs, Songbird. Regional: The Untitled Unauthorized Hunter S. Thompson Musical (La Jolla), Man of La Mancha (Asolo Rep), West Side Story (5th Avenue), Urinetown (ACT), The Secret Garden (Shakespeare Theater Company). Internat’l: The Band’s Visit, Sweeney Todd, Jersey Boys (Manila). Justin is a proud member of IATSE and USA/829.

  • Roxanne is returning for her sixth season at Ogunquit Playhouse, where she’s been both Wig Designer and Wig and Makeup Shop Supervisor since 2017. OP: Singin' in the Rain, The Da Vinci Code, Tootsie, Beautiful, Mr. Hollands Opus (World Premiere), The Nutty Professor, The Cher Show, Young Frankenstein, Mystic Pizza (World Premiere), Escape to Margaritaville, Annie, Kinky Boots, Menopause, Cabaret, 42nd Street, Elf (2018, 2022). Regional: Light It UP! (Cleveland Playhouse, World Premiere); Kinky Boots (North Carolina Theater); My Fair Lady, Intimate Apparel (Playmakers Repertory); Albert Herring (Miami University). Roxanne was born and raised in El Paso, TX, and holds a Bachelor's degree from New Mexico State and a Master’s degree from the University of Cincinnati Conservatory of Music in Wig & Makeup Design.

  • Neka is a Chita Award-winner and Portland Film Festival Best Actress nominee. Broadway (OBC): Bob Fosse’s Dancin, American Psycho, Wicked, Mary Poppins, Rock of Ages, 42nd Street, Singin’ in the Rain. Commercials: Spanx, Massage Envy, AOL Time Warner, Roadrunner Internet, Sylvania, Shoe Carnival. Film/TV: A Winter's Tale, Dam Sharks (SyFy), as well as the host of several environmental projects on Discovery Channel.

  • Luke is pleased to make his Ogunquit Playhouse debut. Regional: The Rocky Horror Show (Bucks County Playhouse, Music Director), Jersey Boys (Cape Playhouse, Music Director), Escape to Margaritaville (North Shore Music Theatre, Assistant Music Director); Jersey Boys, Gypsy (Theatre Aspen, Apprentice Music Director). Cruise: Jersey Boys (Norwegian Bliss, Music Director). Bachelor of Music, Berklee College of Music. Thank you to Soto for this opportunity, the incredible OP team, and his family for their support. @lukemolloy32

  • 150+ productions across the globe and 13 Artios Awards. Broadway/NY: Life of Pi, Chicago, The Lion King, Beauty and the Beast, Hadestown, Lost in Yonkers, Great Comet of 1812, Christmas Spectacular Starring the Radio City Rockettes, 39 Steps, Pippin, La Cage aux Folles. TV/Film: Netflix, Fox, NBC, Lionsgate, Disney Channel. West End/UK: Hadestown, Thriller Live, Menier Chocolate Factory. Tours: 1776, Hairspray, Waitress, Urinetown, Charlie & the Chocolate Factory, Finding Neverland, Into the Woods, We Will Rock You. Regional: a.r.t., Berkeley Rep, Alley, Bay Street, Goodspeed, Hollywood Bowl, McCarter, Signature. ARC, Part of RWS Global. Castingbyarc.com @castingbyarc

  • Haley is an NYC–based Music Supervisor, Conductor, Arranger, and Coordinator. Broadway: & Juliet, Diana: The Musical, Once on This Island, Escape to Margaritaville, Dear Evan Hansen, Come From Away, Anastasia, Bandstand, Paramour, Finding Neverland. Nat'l/Int'l Tours: Hamilton, Tales from Margaritaville, Rogers and Hammerstein's Cinderella, Prince of Broadway. TV/Film: Schmigadoon!, Diana: The Musical, Jesus Christ Superstar Live!, Peter Pan Live!. Haley is also a Music Contractor for the Radio City Christmas Spectacular and a Recording Coordinator for Broadway cast albums. BA Harvard University, originally from Maine!

  • Daniel saw his first Ogunquit Playhouse production at the age of eleven. Previously at The Music Hall: Elf, Annie, White Christmas, Beauty and the Beast, Mary Poppins, Buddy: The Buddy Holly Story. OP: Over thirty productions including The Da Vinci Code, Beautiful, Young Frankenstein, Kinky Boots, Mamma Mia!, An American in Paris, Ragtime, and The Hunchback of Notre Dame. Off-Broadway: Culture Project, Ma-Yi Theater Company, Manhattan Ensemble Theatre. Regional: Paper Mill Playhouse, Barrington Stage Company, North Carolina Theatre, North Shore Music Theatre, Gateway Playhouse, West Virginia Public Theatre. Special thanks to his family.

  • The world’s most significant theatrical company, comprising the catalogs of R&H Theatricals, Samuel French, Tams-Witmark, and The Andrew Lloyd Webber Collection, plus dozens of new signings each year. Our unparalleled roster includes the work of Irving Berlin, Agatha Christie, George & Ira Gershwin, Marvin Hamlisch, Lorraine Hansberry, Kander & Ebb, Kitt & Yorkey, Ken Ludwig, Marlow & Moss, Lin-Manuel Miranda, Anaïs Mitchell, Dominique Morisseau, Cole Porter, Rodgers & Hammerstein, Thornton Wilder and August Wilson. We are the only firm providing truly comprehensive services to the creators and producers of plays and musicals, including theatrical licensing, music publishing, script publishing, cast recording, and first-class production.

  • Founded in 1913, AEA represents more than 45,000 actors and stage managers in the United States. Equity seeks to advance, promote, and foster the art of live theatre as an essential component of our society. Equity negotiates wages and working conditions, providing a wide range of benefits, including health and pension plans. AEA is a member of the AFL–CIO, and is affiliated with FIA, an international organization of performing arts unions. The Equity emblem is our mark of excellence. actorsequity.org